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Feature (Swinburne Alumni News)

Fashion rebel with a cause –

Natarsha Kershaw

Following a degree in media and communications at Swinburne and a three-month stint at high-profile fashion PR firm Ogan/Dallal Associates Inc in New York in early 2010, Natarsha Kershaw felt set to take her hometown by storm.

But life had its own ideas and Natarsha’s expectations of entering the job market in Melbourne met with closed doors.

“People are reluctant to give you a shot,” she said. “I felt useless not working after the pace of New York.”

The potential downer only prompted audacious Natarsha, 22, to DIY her work-life, and so www.fashionrebel.com.au was born. She hopes her PR and styling business specialising in promoting local cafes and boutiques will one day evolve to a PR or creative production agency.

“At the moment it’s about networking, building up a clientele and showcasing that which I’m passionate about,” she said.

Natarsha scored the Ogan/Dallal internship in Manhattan with help from a family friend at Gucci. Finding the New York way of doing business to be ‘cut throat’, Natarsha warned “It’s no place for someone who isn’t strong, prepared, or ready to make the most of it.”

“At first I cried and struggled. Then one morning I woke up and said to myself: ‘You just sat front-row at the Badgley Mischka show, you saw Sarah Jessica Parker, and you’re living in a gorgeous apartment in the heart of Chelsea. It doesn’t get any better.”

Like any intern, Natarsha had her fair share of daily administrative tasks. She was fortunate to tackle some more valuable tasks too, like ‘harassing’ editors, journalists and producers to get coverage in major magazines, television shows and red carpet events. Then there was writing up the daily rounds of ‘fashion talk’ and gossip for publications, helping with events and going to glamorous parties to network with clients on the fashion circuit.

Natarsha also delivered designer handbags and clothes to the stars on the sets of “Gossip Girl” and “Sex and the City 2”, and confirmed that celebrity gifting forms a major part of the success of public relations in the fashion world. “Once you have the photo of the celebrity wearing your clothes, jewellery or holding your bag, everything takes off.”

Being passionate about having a career that allows her to be expressive and unique, rather than ‘a hard-hitting journalist’ is what attracts Natarsha to the rag trade.

“For starters, fashion is superficial. To sit there and write about ‘how to wear this, why you shouldn’t buy that’ — it won’t change the world [but] no-one will say ‘you can’t write that’. Fashion has no boundaries and that’s why I’m drawn to writing about an industry with no limits.”

Natarsha said that during her time at Swinburne she acquired self-belief and formed a clearer idea of what she wanted from a career.

“I realised that I do have something to offer academically, and if I’m proactive and utilise the resources around me, then I’ll develop as a writer. Swinburne nurtured all of those things. I really came to understand that the tutors are there to help, and they want to see you excel.”

>>>Read full article

Live Review (PBS 106.7 FM)

traditional dancer

Bob Marley would dig it.

DJ Dexter – 4 time World DMC (turntable) champion and ex member of electronic Hip-hop group The Avalanches, has begun several new projects lately. His collaboration with Melbourne based progressive hip-hop krumpers Grrilla Step is one of them, who performed alongside Mista Savona in a multicultural sound feast at the East Brunswick Club on Saturday night.

Dexter teased the packed venue with his unique style of deep funky grooves and worldly dub-step.

Reggae, dancehall and hip-hop producer and keyboardist Mista Savona teamed up with over a dozen guys and gals from across the seas to promote his singles launch Fire Dragonon CD and 7” vinyl. I’ve heard he is a true collaborator and pioneer in the Oz music scene for bringing the real essence of Jamaican music home. His previous self-produced album Melbourne Meets Kingston (2007) is convincing enough being the result of a trip to Jamaica where Savona was joined by PBS announcer Jesse I (Chant Down Babylon, Saturdays from 5-7pm), to connect with a multitude of Jamaican vocalists.

And he seemed to bring Jamaica and Papua New Guinea and Polynesia (Samoa maybe?) to Melbourne on Saturday night.

They were seductive. Not in a conventional way. They had attitude, rhythm, soul, sensuality in feeling the music. These guys were great to watch not just listen to, delivering a fusion of roots and reggae beats, and pacific and tribal inspired dancing.

I love live percussion it really gets me going especially when it’s the traveling beat of Papua New Guinean and Polynesian log and kundu drums. They tend to get your ass onto the dance floor even if you’re not that way inclined. Everyone enjoyed the petit wee thing that pranced into the spot light wearing a traditional West African hair wrap and canary yellow hot pants -she vibrated the entire room with her booty shakin’.

The call-answer vocals between the talented Melbourne based Avida Sunshyne and the Jamaican dudes again proved Savona’s reputation for bringing Jamaica to Oz. It was a magical conversation that invited the audience in to experience the music with them. 3 Melbourne blokes who were brought on for the gig on brass looked like they were as entranced as everyone else, but their dub roots effect was appreciated.

There wasn’t a moment to pause before Dexter was back in the mix along with Grrilla Step and the audience, united, were overcome with the urge to groove with the beat, right arms in the air 8 Milestyle. A pack of krumpers joined Dexter and half of Savona’s set on stage in a massive dance-off. Traditional pacific island dancers were playfully contrasted by the pseudo-intimidating krumpers who used free, expressive, and highly energetic moves involving popping and bucking of their arms, chests, heads and legs.

Who dares, gets stage time and the to-and-fro between the dance styles was keeping the cheering crowd going. Krumping dominated til one cheeky krumper had the final say by switching to traditional pacific dancing mid-move. Cute.

It just goes to show; collaboration of the old and the new skool, of the indigenous and the electronic does so much to progress and enliven the music scene that a single artist could not achieve alone. Perhaps a new movement has begun underground? After all, music - like art, mirrors life and by its very nature is political. In the collective Rastafarian spirit – music is about the message. This message appears to be one of joining together and communicating through music. Bob Marley would dig it.

 

 

>>>Published on www.pbsfm.org.au July 2009 (article no longer live, reference available). Photos © 2009 Gavin Warren